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Related Articles. What You May be Interested. I'm happy to see Adobe also putting in the effort to support this input option, at least in the Organizer and in Premiere Element's Quick mode. That said, the support could be better.
You can scrub through video and add and split clips, but some controls are still on the small side for pudgy-finger manipulation. There's no touch-specific interface option like that in Photoshop and Lightroom.
As with most consumer video editing software, the program creates a lower-resolution proxy version of your clips for quicker performance while editing. You can hit the Render button at any time to see the full-resolution movie, but this can take several minutes, depending on your video length and resolution.
A line above the timeline shows which clips are rendered—green for done, and yellow for not ready. You can capture and import video and photos from within the editor as well as from the Organizer. The Editor's Add Media button offers choices to get media from the Organizer which opens a preview panel , from files and folders, or directly from cameras and devices. Elements supports 4K content, so owners of a GoPro Hero or any recent flagship smartphone can take advantage of their cameras' top resolutions.
In my testing, even 5K footage from a recent GoPro doesn't present a problem. Premiere Elements now supports the H. This finally worked for me, but when I added an HEVC clip to an existing project containing non-HEVC content, the results were unreliable, sometimes showing ghost images of the other clips and sometimes being oddly framed.
Also note that the program doesn't let you export to HEVC format, only to import it. The program still doesn't support 3D or degree VR clips. Those could be considered niche usage cases, but competitors such as Magix Movie Edit Pro , Vegas Movie Studio, and PowerDirector as well as Final Cut Pro on the Mac have long supported these formats, and it's not that unusual to see video in social media posts.
Premiere Elements also lacks screen-cam recording, which lets you create videos of desktop activity on your computer screen, a feature offered by Corel VideoStudio Pro and PowerDirector.
And there's no multicam editing feature, which lets you sync the same scene shot with different cameras at different angles, as found in PowerDirector and Magix Movie Edit Pro. The Project Assets panel helpfully drops down to show thumbnails of all your clips, audio, and image files. This resembles the way pro software uses bins to keep track of assets.
There's also a helpful History window, which lets you see what your project looked like at any point during your previous edits. You can also search within the transition and effect selection boxes, which I find helpful. One thing I miss on the Expert mode's timeline is the ability to quickly solo a track, hiding all the others, though you can hide either a video or audio track by clicking on the film or speaker icons at the head of the timeline.
Also missing is the ability to zoom the timeline in and out with the mouse wheel, which most competitors offer. You can't pop out panels into their own separate windows as you can in Vegas Movie Studio , but you can use a dual-monitor setup.
A final interface annoyance is that Premiere Elements' windows don't follow Windows standards, so you can't for example drag a window to the side to take up half the screen or shake the title bar to minimize other programs. Quick mode offers a clear, simple way to join video clips, add titles, transitions, image correction, soundtracks, and effects—all without requiring you to work in a labyrinth of tracks and controls.
It uses an iMovie -like storyboard view of clips and is one of the cleanest views you'll see anywhere. A scrubber lets you move through your movie, and you can easily apply freeze-frames and rotation using buttons. Smart Trim and speed-altering are within easy access from each clip thumbnail. Another button lets you add music, with options to fade in and out. The big new feature for the release is Auto Reframe. This, as it sounds, changes the aspect ratio of a clip by cropping it.
The tool uses Adobe Sensei AI to determine what's important in the frame and crops to show it. In my testing, it worked almost instantly, and unlike my attempts with similar tools in Premiere Pro and Apple Final Cut, it worked quite well in my tests, keeping a person centered, as you can see in the sample here. I've shown the clip in its original aspect ratio in the small trimmer tool on the right.
If you're not happy with the crop, you can adjust its offset, position, scale, and rotation, from the Applied FX panel accessible on the right side of the interface. Premiere Element's Smart Trim identifies poor-quality sections of your media and can delete them all at once. Style choices—People, Action, and Mix—affect what sections of the clips are retained.
It automatically selected Action for my bike-stunt test video, and trim suggestions appeared with no waiting required. You can preview the suggested trims. The app did a good job of selecting the most active scenes, though one short section was dull, and some farther-away bike tricks weren't included. It also removed out-of-focus and shaky sections, which I appreciated.
Handles let you easily extend the selections, and you can simply use the Delete key to remove one. If you have long footage of limited interest, Smart Trim is a helpful tool. Before you can use it, you have to select a video clip or clips. The tool looks for faces that are in focus and well lighted.
It did an excellent job of identifying pleasing stills from my video walk around the office. You can use a slider to create more or fewer shots, or simply click on a tool at the cursor to add one on demand. Premiere Elements lets you apply video stabilization from either Quick or Expert mode by choosing Shake Stabilizer from the Adjust panel. There are two methods of stabilization accessible from buttons—Quick and Detailed. Quick isn't that quick, however.
My minute clip took about 10 minutes to stabilize in Quick mode. At least Premiere Elements shows you the progress—minutes left, percent done, and current frame. After that, a banner message says, "To avoid extreme cropping, set Framing to Stabilize Only or adjust other parameters. It's a powerful tool, but you need patience for long clips. Large bumps aren't always fixed, even with Smoothness set to percent. One cool choice is Synthesize Edges, which prevents cropping.
Dehaze, a feature that has made its way into a lot of photo editing software, is available from Premiere Elements' Effects panel's Advanced Adjustment section.
It did a fine job of adding contrast and saturation to my test landscape footage, as you can see in the nearby screenshot. The Reduce Noise tool is another example of bringing something from photo editing to video editing. Amusingly, the program has long had a tool for adding noise as an effect, but not a correction.
You simply drag the Reduce Noise icon from the FX menu on the right, and then the adjustments for the tool open. You only get three settings for the amount of noise reduction: Default, Medium, and High. It's not going to turn a horribly noisy clip into a great one, but it does smooth out overly grainy shots. As with most noise reduction, when you remove graininess you also lose some sharp detail, but in video this is less an issue than for photos.
In the above screenshot the left has no correction, while the right has Noise Reduction applied. As you can clearly see, the tool works tolerably well. After adjusting the image to its best-guess fix, this lighting correction shows a control puck in the center of a rectangle, with four extremes shown in thumbnails in the four corners of the preview window, towards which you can drag the puck and refine the app's correction.
In Premiere Elements, the tool finds similar scenes within a clip for correcting at the same time. The tool let me noticeably improve a test clip's lighting.
Premiere Elements' Guided Edit tools hold your hand through the steps of creating effects that are more complex than just pressing a button or adjusting a slider. Simply tap the Guided Edits mode-switcher button to see them all.
When you go through an edit, a right panel with actions you need to take show up as tooltips that tell you exactly what to do and even prevent you from clicking Next until you've completed a step.
There are now 27 Guided Edits in Premiere Elements. Here's a look at the two new ones the first two here , along with some of the more interesting ones from previous versions. This new Guided Edit takes you through a basic process often used to improve photos, but in this case, it's applied to video content.
This helpfully includes an Auto Amounts checkbox, which may be all you need. Strangely, moving the Highlights slider to the right darkens the image, while doing the same with the Shadows slide lightens it. Adobe Lightroom made sliders consistent a while back, and it would be nice to see the same in Premiere Elements. The last button along the right-side of the interface is a smiley face. Tap it to get to graphics that you can add as overlays to your video project. New for are Animated Objects.
These include butterflies, stars, smilies, fire, and more. I tested this feature by adding a storm cloud over Niagara Falls.
On choosing the object, it downloaded, which is nice because it means it wasn't taking up space on my hard drive. You simply drag the object onto the preview window where you want it, and overlay tracks appear for both video and audio though my lightning had no sound.
You can resize, move, and warp the placed object to taste. Adobe previously introduced a double exposure Guided Edit in Photoshop Elements, and now the effect makes its way into Premiere Elements. It basically lets you play video under a mask, which can be based on a photo or a pre-supplied graphic included in the program. PowerDirector takes this a step further, letting you animate the mask's size and position with keyframes and even supplying motion templates for them.
The Guided Edit takes you through speeding up the joined videos and replacing the soundtrack. I prefer PowerDirector's similar tool, because rather than just speeding up the joined clips, it puts smooth transitions between them and uses masked transparent titles.
The Animate Skies effect enhances a photo using a dramatic sky background. The Ultra Key effect and prefab graphics do the job. The edit works better if your source photo's sky is very drab, without visible clouds.
For my taste, it's a bit dramatic, but I could see it working for some situations. There's a big overlap between video editing enthusiasts and action cam shooters. The two tools differ in that Adobe directs users to the previously described Smart Trim tool, while PowerDirector adds effects like stabilization, time-shift, and freeze-frame.
The Adobe tool does improve footage, but for my money, the PowerDirector version of this offering is more powerful. The Create an Animated Social Post owes its existence to those punchy captioned videos you see on Facebook and Instagram. The guide starts you by directing you to the motion title tool. It also has you apply motion to the main video so that it slides from left to right. Finally, it directs you to the social sharing panel.
In all, it's not a very ambitious tool, but some may find it helpful. The Color Pop Guided Edit replicates an effect that most people first saw in Spielberg's Schindler's List, in which a powerful effect highlighted a young girl in a red coat in the midst of a primarily black-and-white movie.
Then you open the HSL Tuner tool, from which you can adjust not only the red content, but also that of seven other colors. One weakness of this approach is that it pops everything that's in the specified color. In CyberLink PowerDirector and other apps, you can create a mask or use motion tracking to limit where the color pops. The effects we've come to expect in a consumer video editor are all present. There's a wealth of transitions, picture-in-picture, chroma-keying, scaling, opacity, and even keyframe-timed effects.
There are dozens of animated and still picture-in-picture presets, but it's easy just to drag a clip above another on the timeline and resize it. And the Graphics tool can insert animated and still objects such as flying birds and other animals , stars, snow, and speech bubbles. Some advanced effects are GPU-enabled, meaning you don't have to wait for them to be rendered on the timeline to view them immediately.
Under the effects entry you now see a Draw button, with options for using a Pen, Circle, or Rectangle.
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